Figuratively Speaking - Baby Steps

Playing catch-up at Moon Brook Studio.  Life is good.  My kids and grandkids are healthy and Vermont weather is spectacular.  Foliage season is delayed in our area, but I am sure it will catch-up too.  All the disasters in our country and the world are really depressing, but plenty of wonderful things are happening everywhere.  Healthy babies are being born, couples are falling in love, students are getting good education and loads of folks are volunteering or working to improve conditions in the world.  Connections are being made and innovations are blooming.  In my world, creativity is happening and I hope it is in yours as well.  I read on a blog today (and can't remember which one it was, apologies to the author who found this quote) "The art of drawing which is of more real importance to the human race than that of writing...should be taught to every child just as writing is." John Ruskin.  Now that would be a great thing for our culture to catch up on.  Meditation is practical and good.  Drawing is practical and wonderful!  Can you imagine seeing all those people who have tilted necks and fingers pecking away at their electronics with little sketch books and pencils instead?  What would it be like if everyone was stimulated by art and creativity.  Something to think about.  Here's another one by John Ruskin, "Remember that the most beautiful things in the world are the most useless: peacocks and lilies for instance."  Mmmmmmm....Go Figure

Oh, here is my 30 in 30 collage.

Blue Chair

8"x10" oil NFS

These are the things I like about this painting:  the vibrant colors, the suggestion of the subject without losing the abstract qualities of the brushwork.  the gray/lavender in the background, and finally, how much fun it was to paint it.  It is the fourth week painting for DreamLovePaint. Oh, I also like where my signature is!

A Few of My Favorite Things

5"x8" oil

I set up this still life with lovely flowers in my favorite twisted purple glass vase, a lavender candle, a book, my journal, and a CD and my favorite tea cup.  I went into Mr. Twitters, a local shop that is a fabulous plant nursery, antique shop, and gift shop.  I saw this iridescent tea cup as part of a brass candle holder and fell in love with it.  The shop owner graciously took it apart and sold me the tea cup at a really low price.  It is lavender/blue on the outside and orangy-gold on the inside.  I painted it for myself, which I rarely do.

Sunflower in Blue Jar

8"x8" oil  NFS

This painting is from week 3 of the online painting class I am taking from Dreama Tolle Perry.  She paints vibrant transparent colors in values deeper than the final product, and then layers opaques over them.  If you can manage to keep your brush really clean, the final result is quite lovely with intense colors that "sing."  It is really a fun process and lends itself well to little still life paintings like this, or lovely French doorways, arches and lots of flowers.  I am attempting to apply it to figurative work and have had mixed success which I will share later this week.

Odd Colors

6"x6"oil  NFS

I am taking an online painting class called Dream Love Paint, hosted by Dreama Tolle Perry.  We painted a cupcake.  Then I listened to an interview with Quang Ho on AHA blog radio, which was a wonderful program, and he suggested painting an image already painted using different colors.  This painting is the result of that exercise.

Loosley Geraniums

5"x7" oil on archival paper

This painting came from a challenge the art group I am in decided to do.  We voted on a group of photos and the geraniums were the winner (I didn't vote for geraniums).  So I decided to do it abstractly, experiment with shapes and tools and to do it on a surface I have been wondering about, archival watercolor paper.  I prepped the front of the paper with acrylic medium and later decided to do the back side too, then painted with oils on it.  I love the results.  I used a variety of mixed reds that don't show their subtle differences so well in the photo I took, but it is rich and fun. 

Monarch #11

11"x14" watermedia NFS

Monarch #10

4"x8" watercolor NFS

This is my favorite of this series, so far. I am 1/3 of the way through my goal of 30 watercolor paintings of monarchs in Sept. I have learned from experience that this is a very arbitrary goal, and it can actually be counter productive. The idea is to be a little better each day and to do that requires working hard to do your best. Therefore, setting a number of paintings as a goal only serves to get an artist to the studio to work. That is worthwhile, of course, but it isn't worth sacrificing quality for quantity. But I really like this one!

This is Monarch #9 out of 30 I plan to do. If you have a great Monarch photo you would like to see in paint, please send it to me. I do not have 30 of my own! These paintings are for a project I am working on and are NFS, but I hope you are enjoying my little foray into watercolor.

This second image is Monarch #7 revised.  After studying it for a couple of days I decided to add some fun and darker value to the background.  Although this doesn't really "read" as sky, like it previously did, I think it is much more interesting and artistic, which is after all what I am attempting to do.  I heard a good quote today from some TV production about being an artist is about facing a new mystery every day and having the opportunity to learn a new lesson.  It is a long job description, but that is how I feel about what I do.

Monarch #8

8"x11" watercolor NFS

Monarch#8 This one was really fun to paint. I loved going dramatic with the purple and it worked so well with the pink buds/flowers and the green leaves. I liked the composition as well.

Monarch#7

8"x11" watercolor NFS

This monarch is freshly emerging from its chrysalis.  I am not sure what I would do differently if I repainted this one, so I might ask my art group what they think.  It clearly tells the story, but it is a tad bit boring I think.  I may go back in and darken the sky behind it and see if that makes a difference.  Watercolor is so different than oil and I am hungry to learn its secrets!

Monarch#6

I may have to have something in fabric printed up with this design.  I am still figuring out how watercolor works, what I can do with it, and when it is appropriate to use techniques like sponges or sprayers to get affects.  Peter Huntoon is a watercolor artist that uses all kinds of splishes and splashes in his work to great affect without it looking trite at all.  I am not there yet.

Monarch#5

8"x11" watercolor NFS

I like looking at paintings with lots of patterns, but unlike my friend Heather Shay, I do not like painting them.  I think the repetition gets to me and I am a little impatient.  That being said, I got myself in deep with this one.  I wanted it to have an abstract feel, but have some realistic elements as well, and I think I am pretty happy with the results.

Monarch#4 Cocoon

I really played around with this one and thought since the cocoon was such a simple subject, I would abstract the background.  I dripped and sprayed and layered and flicked and taped and rubbed and just had a good old time.  Not sure it is a great painting, but it sure was fun to do!

Monarch#3

8"x11" watercolor

I like putting on layers with watercolor but don't always know what to expect.  I am trying out different approaches so that I can learn some things.  The colors of the painting are so much more vibrant in real life.  I am not sure how to rectify this.

Monarch#2

8"x11 watercolor NFS

This one came a little easier.  It is painted from an image by photographer Steven Niewoehner.  The problem with painting from such an amazing photograph is that it is already a piece of artwork so you have to approach it with different intentions.  I had a hard time photographing this because the colors just don't pop the way they do in person, especially the thistle.  I have figured out a few things about watercolor like: 1) the brushes make all the difference  2) the paper makes all the difference too (this is on 400lb. cold pressed Arches) 3) figuring out the quantity of a mixed color and the ratio of water to paint are both important 4) if you don't have a process you are up the creek without a paddle

Morning Hike

oil 9"x9"

My family had a reunion in Colorado recently.  We build in lots of time to do what we want, so groups of us head out to hike, rock climb, shop or visit museums or music venues.  One morning we went hiking with one of my sisters and her husband.  It was a beautiful, cool day in Estes Park.  I am showing my initial sketch below and how I finished it above.  I love the bands of color and the structural relationships.

sketch

More Fun

watercolor  each 4"x4"

Plum Island

24"x48"

This is the finished piece of my 30 paintings in 30 days project.  By working on one section at a time, I feel like I gave every part of this painting proper attention and the result is a rich mosaic of brushwork and color.  It was fun doing a painting so much larger than the small pieces I have been doing for the last couple of years.  It made me want to do more!

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#31 and #32 of 32

These are the last 2 pieces of the puzzle.  Tomorrow I will post it all together!