It's a Joke

10"x10" oil

  A painting of a woman at the opera by Mary Cassatt is featured in this painting.  There is a man with opera glasses also looking at her and she seems to be looking at the young woman who are checking out a muted Monet.  Monet was a contemporary impressionist to Mary Cassatt, so it is believable that she would be checking out the competition!

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A Private Moment

There are a lot of paintings titled "Woman at Her Bath" but many less, "Man at His Bath" as this rendition of Gustave Caillebotte's painting is.  This was the first nude impressionistic painting shown at the Boston Museum of Fine Arts.  I loved how this couple was fascinated by this painting but their posture implied they were timid about peeking in on this private scene.  I have been absent from daily painting because of a bunch of things, but am hoping to get back into the swing of it now.

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Book - King of the Mountain

9"x9" acrylic

What can you do at Gramcamp? 

 You can climb on a rock or maybe a hill. 

You can talk to the squirrels and sing to the birds.

Command all the world and never sit still.  

  Or just be so quiet and not say a word.

OK...I admit it, my rhymes need work.  But you get the idea!  I am just painting the pictures now and will add the poems when I am all done.  Next time, I may write first and then paint.  Somehow, that makes more sense.

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Book - Apple Picking9"x9" acrylic

9"x9" acrylic

I have been working on a project to do paintings for a children's book.  I started it a few weeks ago and posted three of the illustrations.  I am doing this in what I call "coloring book" style.  I wanted them to look simple and childlike.  I must admit that I am enjoying doing them.  I have used my grandchildren as models for many of the illustrations and I always love painting them.  This was a really beautiful day when we went to the apple orchard around the corner and picked apples and had a picnic in the orchard.  Good memories.

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Snack Time

7"x9" oil

I wanted to see if I could do a figurative piece that had the same kind of color "pop" as the floral pieces done at Dreama Tolle Perry's workshop.  This is more subdued but I still think it has some of the pizazz I like.  It is a method I think I will continue to explore as I am more drawn to painting people and children than I am floral scenes.  Although, I do love flowers and gardening and certainly beautiful paintings of idyllic scenes...but I will leave it to others to do those subjects, at least for now.  Does this piece have appeal to you?  I am not related to this child, but she is a bit universal I think...round and sweet and curious.

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Window Box

7"x9" oil

This is a little painting I did using my image and the transparent underpainting technique.  Of course, I like the abstract quality to it, and the texture of the thick paint of the flowers.  It is a small painting and I quickly did it at the end of the workshop I went to with Dreama Tolle Perry.  I think when you work in time constraints it can either result in a rushed feel to it, or surprise you with capturing just what you need.  I am pretty happy with the result of this one.

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Cupcake

8"x8" oil  

This painting is the result of "Musical Easels" from Dreama's workshop. I started it and finished it, and then revised some things, and in the middle a lot of other people did something to it.  I think it would look great in a kitchen or in a bakery. It is a reminder of sweet things in life.  I have a question for other bloggers.  Do you find that it is difficult to have a consistent on-line presence and also have time to look at the work of others, or to make comments?  This is a challenge for me....staying connected in the myriad ways available.  I should go paint!

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The Wall

9"x9" oil

This is another painting I completed at Dreama's Workshop.  I came away from that workshop with a couple of reminders and realizations.  I try not to remember everything because I find I just feel confused and constrained when I do, so I choose to focus on just a few things.  One thing that really left its mark was that each participant's paintings retained their unique signature style even though we were painting the same image with the same palette and technique.  This kept coming back to me.  Another thing which I really wanted to latch on to, was how to get the brilliant color and little pops of color which is so evident in Dreama's work.  I feel like I achieved that in this painting.  I need to really think about what color combinations excite me and make that a priority in my work, if that is what excites me. 

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