Resurrection

8"x10" oil

I decided I needed to thin out my loser box.  That is where I put paintings that just aren't right and make me uncomfortable.  Using a razor blade I scraped off edges of the brushwork that showed.  I did this instead of sanding to reduce dust, and breathing toxic chemicals.  Then I painted a solid color over them.  A few of the paintings I decided had good enough starts to try and resurrect them, and this was one. Originally I painted it plein air (outside on the spot) but I finished it in the studio letting the painting tell me what to do, instead of looking at a reference photo.  I am pretty happy actually with the results.  It is a small church in a beautiful and picturesque town in southern Vermont. It is for sale by auction on Daily Paintworks.  Click to bid on the button under the image.

Poinsetta

11"x14" acrylic

I had so much fun painting this.  It was for a "Sip N' Dip" painting session I facilitated.  Basically people come to the art center and pay a fee to get to do a painting in one evening.  I have done many of these and they are always a treat.  It allows me to just enjoy the painting process and help others to feel it too.  I always focus on a couple of lessons to help them understand the decisions an artist needs to make.  In this case it was choosing analogous colors and complimentary colors using a design that was both objective and abstract.  I try to give the participants a lot of choices to make along the way.The coolest part of the session is at the end when we line up all the paintings and see how creative and different they all are even though they were based on a design. It also gives me a chance to paint in acrylic which is not my first medium of choice.

Cupcake

8"x8" oil  

This painting is the result of "Musical Easels" from Dreama's workshop. I started it and finished it, and then revised some things, and in the middle a lot of other people did something to it.  I think it would look great in a kitchen or in a bakery. It is a reminder of sweet things in life.  I have a question for other bloggers.  Do you find that it is difficult to have a consistent on-line presence and also have time to look at the work of others, or to make comments?  This is a challenge for me....staying connected in the myriad ways available.  I should go paint!

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The Wall

9"x9" oil

This is another painting I completed at Dreama's Workshop.  I came away from that workshop with a couple of reminders and realizations.  I try not to remember everything because I find I just feel confused and constrained when I do, so I choose to focus on just a few things.  One thing that really left its mark was that each participant's paintings retained their unique signature style even though we were painting the same image with the same palette and technique.  This kept coming back to me.  Another thing which I really wanted to latch on to, was how to get the brilliant color and little pops of color which is so evident in Dreama's work.  I feel like I achieved that in this painting.  I need to really think about what color combinations excite me and make that a priority in my work, if that is what excites me. 

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Lobster Buoys

8"x8" oil

I have not painted as much as I would like but I have been artistically busy.  I went to the Vermont Arts Council retreat for 2 days this week on the invitation of the Director, Carol Driscoll, of The Carving Studio and Sculpture Center and not only got to stay the very cool Grand Isle Lake House, but also got to meet and see how the minds of some very smart and creative people work.  I did a demo for the Chaffee Art Center Open Studio event this past weekend.  So my question is:  how loose is too loose?  In the above painting, I kept it very loose because I wanted to pack up and go home.  The environment was challenging for me because there were some significant distractions,  I thought about working on it some more in my studio, but the more I looked at it the more I liked it as is.  I know what I painted (lobster buoys hanging from a rack which also holds an inverted row boat).  At first I was really interested in the shadows and light falling across the rowboat, but then the dancing shapes of the buoys just looked so cool to me that cut loose of the highlights on the boat.  I also thought that more detail would only confuse the composition.  Anyway, I would love to know what you think!

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