Beach Fairy

6"x6" oil  Price $100

I saw an add in a magazine when I was looking for something to draw and decided to use it as inspiration for this painting.  I made numerous changes and am happy with the result.  Sometimes when I am in a situation where I want to draw and can't get inspired by my surroundings I will practice drawing figures from magazines.

Work To Do

I took a photo in a park forest in Portland, OR, of this person walking down a path with a determined stride.  The big hat and tight posture caught my eye.  I liked how the image is framed by two large Douglas Firs with the light filtering through the background forest.  This is Day 14.

Days 11, 12 and 14

Connected    oil    6"x6"

Smirkus

I love the circus acrobats.  I love Cirque De Soleil, Circus Smirkus, the Big Apple Circus, and even Circus Circus.  I love the Olympics and other sporting events.  It is thrilling to see what the human body can do with determined effort and practice.  This board is completely covered in paint which wasn't my initial plan, but as I worked on it I just felt it needed more paint to accomplish the lighting effectively.

I Can Do It

6"x6" oil

Day 9 of the 30 Paintings in 30 Days Challenge.  She was so serious about trying to catch the ball.  She clearly didn't understand that holding rigid and not moving does not aid catching the ball!  We just hoped she would loosen up and stick with it without giving up out of frustration.  My granddaughter is trying to learn to do a handstand and all I can do is encourage her to keep trying.  I would show her how, but I just don't trust my joints to that extent! 

Ready For the Pros

Day 8 of the 30 Paintings in 30 Days Challenge.  We are at the beach and the weather is not that perfect blue sky, warm breeze kind we all love.  However, for what we lose in sunshine we gain in waves for body boarding!  There are lots of other things to do as well, including playing this game with fuzzy balls and a Velcro mitt.  This young man really knew how to balance his body for maximum efficiency and I loved trying to capture it.

Good Form

6"x6" oil

Day 7 of the 30 in 30 day challenge.  Again I covered the whole piece with paint only leaving little bits of the drawing showing.  I made up the background which was fun and allowed me to think more abstractly using patterns.  We have been having beautiful weather this summer and I know my golfing friends have made the most of it.  It has been really dry though, and I can't help but think that they must have watered the golf courses a lot.

The Swimmer

Add caption6"x6" oil

Day 6 in the 30 in 30 challenge by Leslie Saeta.  I painted this from a life drawing I did.  Actually all the paintings I am doing this month, so far, have been from drawings and then I paint them without photo references.  There are things to be learned from this.  It makes me think carefully about the colors I want to use and it frees me from trying to interpret a photo.  I am having fun with the process.

Better With a Straw

6"x6" oil

Milk is good for you but it is better with a straw.  I like the magic look of a bit of paint on top of the board.  It is like a ghost image appeared in full color.  I am still figuring out how to keep pencil marks visible....not there yet.  This is day 5 in Leslie Saeta's 30 in 30 Challenge.

Boys Club

6"x6" oil

Day 4 of the 30 in 30 challenge by Leslie Saeta.  Day four is special because Mother Theresa is becoming an official saint by the Catholic Church and it is my daughter's birthday.  I find that interesting because my daughter, Ruthann, was blessed by Mother Theresa when I met her in 1977.  This painting is completely covered in paint which wasn't my original intention, but sometimes you have to switch tracks in the middle. The Boys Club is that group of men who sit on the sidelines while their wives shop, or go to art museums, or flower gardens.  I do like the soft look of these paintings.

The Drummer

6"x6" oil

This is day 3 of the 30 in 30 Challenge by Leslie Saeta.  I am painting on birch panels coated with a clear gesso.  I am trying to use slightly less saturated colors than my normal palette, leave some of the birch showing, and although it is not evident in this one, I am trying to also leave some of the original drawing.  I am learning a lot and tweaking this method with the hopes that I find a technique that really works for me combining realism and abstraction in a pleasing way.

The Long Journey - 30 in 30 Challenge #2

Day 2 of the 30 Paintings in 30 Days Challenge by Leslie Seata, is of my friend Susan walking along a path at Lefferts Pond. I am really loving painting on birch panels covered with clear gesso.  My goal is to leave some of the wood showing as well as using more subtle color choices and leaving an element of the original drawing evident.  This is a really fun experiment.  My hope is to do 30 figurative works in this style.

Swinging - 30 In 30 Challenge #1"

This is the first painting of Leslie Saeta's 30 Paintings in 30 Days Challenge.  I am already behind as I usually post the painting I did the previous day.  Yesterday was a migraine day and today is a migraine hangover day, but I am determined to stay on task.  It is a beautiful day to be out in the studio and with the double garage doors open, it is like being outside, so I am going to listen to beautiful music and paint, paint, paint.  For this challenge I am doing a combination of drawing, painting and showing the background of birch by not painting areas.  We will see how it all goes, but I am happy with #1.

Easy Breezy

6"x6" oil

Today was a good day.  I didn't get everything done I would have wanted, but I came close enough and had a good time.  However, in the process of having a full day, my painting time was relegated to the dark hours.  As a result, I chose something I considered to be easy to paint.  I think, in part, feeling like it was going to be easy helped it to be so.  Anyway, I like a lot of things about this painting like the colors (complements) the texture and the breezy happiness it exudes.

Bleu Lavande

8"x10"It

This painting was done at the Beu Lavande farm near Magog, Quebec.  It was a beautiful day when I arrived and set up.  Then I realized I had forgotten some really important colors, so I did what I could.  As I was working on it, dark stormy clouds suddenly moved in over the distant hill.  Quickly I packed up and made it to the picnic shelter before I got soaked.  My painting however was quite altered by the rain which quickly turned into hail accompanied by fierce winds.  I made a new friend with a young woman playing the harp until the noise from the storm drowned out her music.  Finally I headed home in torrential rains, dodging downed branches on the road.  When I crossed back over the border the US customs agent was unnecessarily rude.  He accused me of lying when I told him I hadn't bought anything.  I guess he never encountered a plein air painter.  I showed him my painting supplies.  I get the importance of vigilance at border crossings, but being rude because you have the power is just not OK.  The Canadian crossing authorities had been very friendly, thorough, and told me to have a nice day.  Something is wrong with this scenario.

Guest House

8"x8" original oil

This painting was both a challenge and was freeing for me.  I somehow deleted the photo I had taken of this guest house at my friend's home on the cape.  I had done a sketch which I based the painting on, but I hadn't made color notes.  The challenge was to get enough detail to create a mood and try to capture some of the details which originally enchanted me.  The freeing part was not being tied to a photo and getting to lmake it up as I went.  What I really like about this lovely cabin is the turquoise used for the trim and flower pots and the metal sun sculpture hanging by the door.

This is a better photo of yesterday's painting.  I am still thinking about making some changes to it.

View From the Bridge

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 I am going to do this one again...I am not happy with the results.  Some professionals say you should only show your best work, but I think it is good to see the process, including the failures so that others can understand what is happening better.  The reason I don't like may be just because the photo isn't as telling as the painting.  I know the whole left side is darker on the painting and the subtleties of colors is much better  I think a proportion or two needs a bit of tweaking as well.  I love the subject matter, so I will try again.  Also below is another drawing on birch that I did for an upcoming painting. I haven't done any small paintings in a while so I am rusty and I knew that going into this painting.  I assumed it would be a wipe-off, but I liked it enough to photograph it.

At the Beach

Beach on Cape Cod 8"x10" oil

I painted this earlier this summer on a beautiful day while visiting Cape Cod with some friends.  Since then I have been crazy busy with 3 large projects I did for donations and fund raisers.  I hope to get photos so I can post them, but I forgot to get them before I moved them from the studio.  Below is a sneak-preview of a project I am working on for Sept.  I am drawing out fairly detailed sketches on birch and sealing them with clear gesso.  I am going to do some limited painting (I think) using more neutrals than I normally use.  I am just trying out something I hope to develop.

 

Cape Cod Lighthouse

8"x10" oil

One of the challenges of plein aire painting is getting down the big color/value shapes early on and then not losing them in the details.  The red streak across the grass is some meadow weed that was so pretty and created a layer of rusty red, contrasting its compliment, green.  The shadows on the lighthouse were fabulous to paint.

Pastoral Setting on Ocean Bluff

8"x10" oil

This was painted in June at Cape Cod.  It was a wonderful trip and I am so happy that my friend Paula Hult was such an awesome host and painting buddy.  Since then I have been really busy and will post some photos soon showing what I have accomplished.