Lighthouse #5

3.5"x5" watercolor on 400lb. paper

I have been experimenting a lot lately...drawing, watercolor and I even took an abstract painting workshop.  I find I tend to do this when I am full of ideas with no clear direction I want to take.  There is value in sticking with a subject, style, palette, medium, to master those things...to become really familiar with them and know what to do.  On the other hand, experimenting reminds me why I work so hard at this.  I have fun, learn some things, and come back to what I do with a fresh perspective.  I also think it just might push me onto a completely different path that might be the journey I should take.  I am trying to relegate my watercolor and mixed media experiments to the weekends.

Sumac Triptyque

7"x12" original oil painting

I love Sumac! I love its bony structure that casts beautiful shadows, its horn-like berries sticking up on top, and its brilliant red in the autumn!  Today is a typical early November day in Vermont, meaning it is cold, rainy and very gray.  This explains why this photo looks so dark.  I shoot my images outside and the weather affects the result.  I should have tweaked it in editing before posting it.

In Good Hands

7"x7" graphite drawing SOLD

Here is something different!  I haven't done a serious drawing for a long time...years in fact.  I do love to draw but most of the time I am just doing sketches without shading and modeling.  I was asked to do this image and decided pencil was the way to go.  I had much fun doing it and it makes me want to do more.

Sunflowers

2"x4" miniature acrylic sold

I did another batch of miniatures of which this is one.  They are all sold, which is nice.  The painting is so much better than this image.

Wash Day

8"x10" oil

I love how these sheets have this spectacular view!

To purchase this painting go here.

Bridge

original oil 11"x11" 

To find out about purchasing this click here.

The morning was chilly and I stood in the shade painting and shivering.  As soon as I finished I stood in the bright sunshine all afternoon trying to warm up. I didn't pay much attention to my location, other than facing directly into the sun, but this is what I saw: a lovely bridge with flower baskets over a beautiful river lined with rocks and boulders.  It was a good afternoon!

Lemon Tree

7"x7" original watercolor

I decided to post drawings and watercolors on the weekends.  My painting friend, Betsy Moakley had the photo reference for this painting, but was uninspired to use it so I tried my hand at it.  I like the abstract elements in this.  I like watercolor more every time I try it.  I have a long way to go in learning it, but it is nice to be working on something new.
To purchase this please contact me.

Chairs By the Pond

original oil 8"x8"

This was painted at the end of Sept. when the brightest of the trees were just beginning to change.  Now, only the yellow leaves are clinging to the branches.  It was a very chilly day so I kind of rushed this one and had to do some re-dressing back in the studio.  Everywhere you look there are Adirondack chairs in Vermont.  I think we should come up with a variation and call it "The Green Mountain chair!

To find out more or to purchase this painting click here.

Church

original oil 8"x10"

IIt was such a lovely day when I painted this.  The sun was bright and the sky blue and it was just a tad bit cool.  The white against the blue and green and the plum colored maple out front all charmed me!

To find out more about this or purchase it click here.

11"x11" oil

This is a view to wake up to!

To purchase this painting go here.

Shed In the Grove

The way the sky peaks through the tall trees is what drew me to this composition.  It just seemed so lovely and simple, but not simple to paint.  It was actually pretty complicated and took some effort to eliminate confusing shapes and colors.  I wanted a feeling of late summer coolness and I think I have accomplished it.  It is just a little shed in a grove of tall trees.  A nice place to feel alive!

For more information about this painting click here.

Play By the Wall

8"x10" oil

I think I am finally over the flu, although there are symptoms that appear to be very fond of me and want to stick around for a while.  But, I went out today!  I am itching to start new projects and paint up a storm, so I think all systems are 'Go!"  The paintings I am posting this week are ones I did in Sept., plein air.  I really hit the darks hard in these.  I think that is because I was painting in bright light, as opposed to painting in artificial light inside.  Since I am a neophyte at this process, I think my methods should improve with time.  I don't think I will be like Eric Tobin or Peter Huntoon though, who paint outside all winter long.  I was drawn to the bright light on the field behind the wall, and the setting which suggests children playing.

To find out more about this painting, and purchasing information click here.

Moody

original plein air oil 8"x8"

The title says it all.  My daughter and her family left to move to Oregon today.  I am elatedly happy for them and seriously sad to be missing them already.  They sold their house yesterday...how fortunate is that, since they only put it on the market 2 weeks ago?!  Anyway, this painting is titled "Moody" and that is how I am feeling.  Thank goodness for Skype, unlimited long distance, and jet airplanes!  I can't imagine how mothers felt when their children took off from the East to travel the Oregon Trail.....yikes!

Hay Bales

original plein air oil 11"x14"

My goal in painting this painting was to capture the light and the diagonals of the hills.  My painting friend Heather Shay, who has a really good eye for evaluating the things that work and don't work in a painting, didn't like the look or placement of the hay bales on the hill, but this was one instance where I didn't follow her advice (feel free to write a comment letting me know your take on this).  My eye was really drawn to those hay bales, and they do tell a bit of a story so I left their odd placement as my focal point.  Sometimes the rules need to be broken (at least this is my excuse).  The deep coolness of the copse of trees had a magical quality that I tried to capture.  When I started the painting there was a herd of cows in their shade, but they quickly got up and left and then returned as soon as I was ready to pack up.  I guess they were a bit self conscience.  I will try to capture cows on another trip.  Did I say, I love plein air painting?

To find out more about purchasing this painting click here.

Side Yard

original oil 11"x14"

 Recently I was wishing for some time to be bored.  Be careful for what you wish.  I realize that there are a few things that will guarantee having boredom time, one being getting the flu.  I don't recommend it and being bored is overrated anyway.  I just felt like I was over-scheduled and over-committed. The only way to slow time down seems to be having lots of time to do "nothing."  Apparently being confined to bed is my only option at this point.  This painting was from a workshop I did with Randall Sexton.  His advice helped push me to make bolder strokes.  It was a plein air (outdoor) workshop in Vermont just prior to peak foliage.  This day I was enchanted by the way the light fell on this hilly back slope of a beautiful colonial house right in town.  I set up my easel in the shade of the house and proceeded to freeze all morning painting this.  In the afternoon I moved into full sun and finally was warmed up.  Honestly painting, particularly plein air painting, stops time if only for a few minutes.  It is one of the reasons I love to go to that place...the zone.

For Purchase information go here.

Poles

11"x14" original plein air oil

This is a plein air oil painting I did while attending Susan Abbott's workshop.  It is a church in Plainfield, VT, a lovely, quintessential Vermont setting.  Susan emphasized having a visual idea to work with and having a plan that includes the structure of the space. There are a lot of things I like about this painting, including the three strong verticals with the poles and steeple.  The large masses of red and green trees with the white of the building and the electric/phone lines that dissect the space.  I highly recommend Susan as a teacher.  She structures her workshops with studio exercises and outdoor painting and she focuses on specific concepts to work with.

To Purchase this painting go here.

Final Grouping

These are 29 of the 30 paintings I did for the 30 paintings in 30 days challenge.  The last one was a watercolor so I didn't include it here.

30-30 Challenge #29

2"x4.5" acrylic SOLD

 

There is a pond behind my house that has a creek running into it and creek running out.  It provides the lovely sound of babbling water and frogs in the summer.  My grandkids love to fish there, although actually catching a fish is secondary to just standing or sitting on the dock with a fishing pole!  We get interesting visitors to that pond , including an occasional heron and ducks and geese.  I have seen a ermine and on rare occasion a moose or bear.  This photo reference was the product of wildlife photographer Dale Waack, whom I really appreciate giving me permission to study it and use it for this painting.

30-30 Challenge #28

2"x4.5" acrylic SOLD

This is an image I have wanted to paint for years, but never got around to it.  I took a photo when visiting Florida (my birth state) because I was so blown away by a garden filled with orchids.  They provide the image of such interesting structure.  I love how they smell and how they make me feel and I have the perfect place to grow them indoors, but I won't because I could not bare to kill them or let them die, and that is a very likely scenario!

30-30 Challenge #27

2"x4.5" acrylic  SOLD

I have to remember to plant zinnias and cosmos next year.  They offer such easy to grow options that create such a beautiful design through the summer and into fall.  What I really liked about painting this one is the patterns of the flowers, stems, "leaves" and buds.  Pattern is so important in paintings and I sometimes forget that, and then other times it becomes the theme of the painting.

30-30 Challenge #26

2"x4.5"  acrylic SOLD

 

This little miniature was purchased a couple of weeks before I painted it or even knew what I was going to paint. That's fun!  My childhood friend, the friend that goes back in time to pre-school, the daughter of my mom's best friend, and my buddy for all those years in school, purchased it.  Neither of us are butterflies...but the world is lovely to both of us.  We are both optimists and love to laugh.  We have spent some of the best moments of our lives together.  I hope this painting reflects that emotion.

30-30 Challenge #25

2"x4.5"  acrylic SOLD

I am currently at a Susan Abbott workshop in Marshfield, VT, during an incredibly beautiful Vermont fall with lovely temps in the 60's and 70's.  And then...winter comes (which I also love) but at the end of winter is mud season which they call spring in other parts of the country.  Our spring is usually very short, but when those crocuses pop up (frequently through the snow) it gives hope for a very green season.  Crocuses make me happy.  They seem like an especially sweet gift.  I hope it makes you feel that way too.

30-30 Challenge #24

2"x4.5" acrylic

This is #24 in the 30 day painting challenge.  I am so glad I decided to do miniatures as I have learned a lot including the importance of composition.  I missed that a bit with this one as the top bird is not quite positioned at the most advantageous place.  But my main concern with this one is that it looks like the wings are moving and I think I got that.  Value is so important in painting and I continue to see that when something isn't working, frequently it has something to do with the values (light and dark) against each other.

30-30 Challenge #23

This is painting #23 in the 30 Paintings in 30 Days Challenge.  It is from a photo reference taken by wildlife photographer Dale Waack.  He generously gave me permission to use his photos to paint from for this challenge.  I chose to do 2"x4.5" miniatures.  On top of that, I am going to 2 workshops this month.  So, I put myself in the awkward position of painting in 3 different styles this month.  I am feeling like a total amateur....but I am learning!  It is good to be on a learning curve, but I think I just made a lot of confusion for myself this month.  Can you relate?

30-30 #22

2"x4.5" acrylic  sold

This is #22 of the 30 Paintings in 30 Days Challenge given by Leslie Saeta.  It inspired me I thnk because my grandkids were visiting for the weekend.  I find it almost impossible to paint when they are here (a very small sacrifice) but I was able to squeeze this one in.  Other than that, their grandfather and I got to do some outdoors fun things with them like fishing and hiking to the Clarenton Gorge.  We also picked mint, grapes and tomatoes and did some fine cooking.  The boys are 3 and 5 and their little sister, who is almost sitting up and almost crawling, is 6 months.

30-30 #21

2"x4.5"

This also is from a reference photo by Dale Waack.  It was hard to paint this mighty bird with enough detail and energy to suggest its magnificence and strength, but I had fun trying and also to make it worthy of copying the photo...like adding enough color to the water to make it interesting.

30-30 #20

This painting is from a reference photo by Dale Waack, who is a wonderful wildlife photographer.  It is a red winged black bird, one of my personal favorites because of the brilliant flashes of color they have on their wings.

30-30 #19

2"x4.5"

This was painted from a reference photo taken by Dale Waack who generously gave me permission to use some of his photos which he posts to facebook.  He is a wildlife photographer, a skill that takes a good eye and tons of patience.

30-30 17&18

each 2"x4.5"

I went nautical for these too and I am so excited to say I have caught up!  I am amazed at how much I have learned, how much fun I am having, and how cute a tiny painting can be!

30-30 14,15,16

I am heading out to a Randall Sexton workshop today at the landgrove Inn.  I chose his workshop because I fell in love with a painting he did of an industrial landscape.  I am hoping to pick his brain as we head out for 4 days of plein air painting.

30-30 Challenge #12 & #13

I am getting caught up but also need to paint ahead because I will be going to a Randall Sexton workshop and also one with Susan Abbott.  Life is good...but when it is so busy, time sure flies.  As I get older, I find I want to slow down my days and savor them.  Not sure that is possible yet.

30-30 Challenge #10&11

each 2"x4.5" acrylic

I am trying to get caught up because I am so far behind on my 30 paintings.  The top one is from a friend's photo which just captured my attention and the bottom one is of my favorite kayaking lake.

30-30 #8-9

30-30 challenge #8, #7

Trying to get caught up....I have finished through #7 but still need to post #6

#3 

These are #3 and #4 of my miniature series.  I actually have done 5 of the 30 paintings in 30 days challenge, but only 4 of them are miniatures.  I am selling these on facebook for $10 each to the first person who posts "sold" under it.

30-30 #4 day 12

2"x4.5"  sold  oil

I am learning so much from doing these miniatures.  Right now I am thinking about finding the balance between details and a loose brush effect.  I have found that liquid acrylics work better than tubes and I need to try some different brushes to get what I want.  I am selling these on facebook for $10 each to the first person who posts "sold" under it.  I got this idea from Crystal Cooke.  It is a lot of fun.  I have sold some that aren't done yet, which is fun!

30-30 #2 day 10

2"x4.5"  acrylic

Day 9 and I am only able to post #2!  I finally figured out what I am going to do.  I prepared 30 little 2"x 4 1/2" panels and decided I would do miniatures.  Of course I totally underestimated what that meant.  I thought it would make it easier to do little ones, but since I haven't ever done miniatures, it is a whole new process.  What I have learned:  it doesn't necessarily take less time than doing a larger painting; like all paintings, if you don't get the values right, forget it; edges, brushwork, composition and color mixing are the same, except brush size is completely different, so that makes all the difference.  Bottom line, I am going to complete these and based on the first one, I am going to learn a lot about painting.  Oh, yes, these are also acrylic instead of oil, which is a whole other can of worms for me! ...and then there is photographing it....believe me the original looks a lot more in focus!

30-30 #1 Day 8

9"x9" oil

I have been traveling a lot.  I just got back from 2 weeks of sand, sun, surf and family and it was wonderful, but I did not look at art, paint or draw.  I thought about it, but that is all.  I am suppose to be doing Leslie Saeta's 30 paintings in 30 days challenge and it is a great way to get myself motivated, but I am already 8 days and 7 paintings short!  So, now that our official family vacation is over, I am moving into fall mode.  I have a couple of commissions to finish, and really wanted to choose a theme to do for the month, but I think it will be a hodge-podge (hotchpotch) of subject matter.  I also was going to do images for a children's book I am thinking of illustrating, but I think I need more focus to attempt that.  I have called myself a daily painter for a few years, but I really need to get back to that to claim it.  Life is just so full of fun and sweet things to do!  This painting is for sale so contact me if you are interested.

On Top of the World

8"x10"  oil

This is a commission.  I think she epitomizes "happiness."  This portrait makes me want to smile.

For a Rainy Day

10"x12" original oil

It is raining buckets today..... dark and quiet, like the atmosphere is sucking all the sounds except the gentle drips of water.  It makes me feel like crawling back in bed after having a warm cup of cocoa!  So, these flowers are very cheerful on this soggy day.  They are a commission from my friend and stellar gardener, Rebecca Greenley.  She has that magic touch that makes all her flowers stand up and show off their best sides!

Naia

10"x10"  oil

Is she beautiful or what?  She is not my biological grandchild, but she is the daughter of my "almost daughter" so that makes Naia my "almost granddaughter."  Lucky me!  I also feel lucky to get to paint her.  I did the drawing below first because I have been really enjoying the process of drawing lately and it helps to get to know the subject a little better.  I then did the painting.  Since the reference photo was black and white, I had to make up the colors.  Rather than studying a bunch of other photos of her, I decided to just let the painting tell me what colors to use.  It looked rather bland to me (except the startling yellow jumper) until I mixed a little batch of paint with Rembrandt transparent red oxide and some cad yellow and white and got the punch I needed.  I love that color!  I also added purple to her hair which I think worked well.  It is hard to tell in this photo, but the purple just kind of works with the brown.  Anyway, I have been working so hard to get ready for an upcoming show (mostly framing, etc.) that it is so fun to do a painting I am pleased with.  I really hope her mom loves it too!

Skinny Dippin'

12"x18"  oil  Commission

What are you doing on this incredibly beautiful summer day?  I have been thinking about teaching a class on painting  kids/grandkids and this painting has reminded me how much fun it is to do that.  I like the combination of soft/hard edges, loose rendering and accurate drawing.  Actually my painter friend Heather Shay is the one who reminded me how much I love drawing.  She paints, but admits that it is the drawing part that really appeals to her.  Her painting style is very precise and is much like drawing itself.  Her subject matter is infused with color and fun material so it all comes together without looking too fussy.  I am including a painting of hers below.

by Heather Shay

The Climber

9"x9" oil

This is the second go on a previous acrylic painting, interpreting it in oil.  It is for a show in which I am participating in August.  I am showing 41 paintings of children.  The show is for my mentoring group of 9 artists who are diverse but all very accomplished.  It should be a great show.

Flying Acrobat

8"x8" oil

 I have been neglecting my blog and I feel bad about this.  It is my accountability partner...my assignment.  I don't like to not get my homework done because I think all my assignments are really good for me!  Can you tell I am the zealous teacher/student?  I have been painting but also teaching, and framing (and entertaining company, etc.).  Framing is a big deal.  If you pay more than you think you should for frames you probably aren't.  It is a lot of work to make a good frame and then finish it.  I have been working on 30+ frames.  This is my drying rack for them.  There is a lot of sanding and painting and repainting and then the whole process of putting them in the frame and finishing it off nicely.  It, like everything else in my life, is a learning process.  I am getting better.  My husband and framing partner, Carl, is a huge help!  He does the initial cutting and assembly.  I do the rest.  I am getting ready for a big show in August.  I am doing all kids for this show, but I included the flying acrobat above, because it is fun!